| Great Manual II | C – a’’’ |
||
1. |
Principal |
16’ |
|
2. |
Octave |
8’ |
|
3. |
Dessus de flûte (t.c.) |
8’ |
|
4. |
Gemshorn |
8’ |
|
5. |
Flûte traversière |
8’ |
|
6. |
Salicional |
4’ |
|
7. |
Octave |
4’ |
|
8. |
Spillflöte |
4’ |
|
9. |
Quinte |
2 2/3’ |
|
10. |
Superoctave | 4’ |
|
11. |
Cornet (t.f) | IV |
|
12. |
Mixtur | V/VI* |
|
13. |
Fagott | 16’ |
|
14. |
Trompette | 8’ |
|
15. |
Trompette en chamade (t.e.) | 8’ |
|
| * 5 1/3’ opens when Pr. 16’ is drawn |
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| Positiv Manual I | C – a’’’ |
||
16. |
Holzgedackt | 16’ |
|
17. |
Suavial | 8’ |
|
18. |
Rohrflöte | 8’ |
|
19. |
Quintadena | 8’ |
|
20. |
Unda maris (t.f.) | 8’ |
|
21. |
Octave | 4’ |
|
22. |
Rohrflöte | 4’ |
|
23. |
Sesquialtera | II |
|
24. |
Super Octave | 2’ |
|
25. |
Sifflöte | 1 1/3’ |
|
26. |
Mixture | VI |
|
27. |
Dulzian | 16’ |
|
28. |
Trompette | 8’ |
|
29. |
Krummhorn | 8’ |
|
| Tremblant doux | |||
| Swell Manual III | C – a’’’ |
||
30. |
Quintadena | 16’ |
|
31. |
Diapason | 8’ |
|
32. |
Cor de Nuit | 8’ |
|
33. |
Flûte harmonique | 8’ |
|
34. |
Viole de gambe | 8’ |
|
35. |
Voix céleste | 8’ |
|
36. |
Prestant | 4’ |
|
37. |
Flûte octaviante | 4’ |
|
38. |
Nazard | 2 2/3’ |
|
39. |
Octavin | 2’ |
|
40. |
Tierce | 1 3/5’ |
|
41. |
Plein-Jeu | VI |
|
42. |
Basson | 16’ |
|
43. |
Trompette | 8’ |
|
44. |
Basson/Hautbois | 8’ |
|
45. |
Voix Humaine | 8’ |
|
46. |
Clairon | 4’ |
|
| Tremulant | |||
| Pedal 30 notes | C – f’ |
||
47. |
Untersatz | 32’ |
|
48. |
Principal | 16’ |
|
49. |
Subbass | 16’ |
|
50. |
Octave | 8’ |
|
51. |
Violon | 8’ |
|
52. |
Spillpfeife | 8’ |
|
53. |
Super Octave | 4’ |
|
54. |
Mixture | V |
|
(55. |
Posaunenbaß | 32’) |
|
56. |
Posaune | 16’ |
|
57. |
Fagott | 16’ |
|
58. |
Trompetenbaß | 8’ |
|
59. |
Trompette | 8’ |
|
60. |
Clairon |
4’ |
|
Prepared stops are in brackets! |
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