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Organ
Gallery: Gothic
Fantasy, Choir &
Organ, March/Aprl 2006.
[Traduction française de l’article]
Westfield
Center Conference:
Christ Church Cathedral,
Victoria, British
Columbia, Canada, Herbert L. Huestis,
The Diapason, dec. 2006.
|
|
Hauptwerk - II |
|
Rückpositiv - I |
| Praestant |
16' |
|
Quintadena |
16' |
| Octave |
8' |
|
Principal |
8' |
| Spitzflöt |
8' |
|
Rohrflöt |
8' |
| Flöt travers |
8' |
|
Octave |
4' |
| Octave |
4' |
|
Koppelflöt |
4' |
| Hohlflöt |
4' |
|
Nasat |
2 2/3' |
| Quint |
2 2/3' |
|
Superoctave |
2' |
| Superoctave |
2 |
|
Terz |
1 3/5' |
| Cornet |
V |
|
Mixtur |
IV |
| Mixtur |
V or VI |
|
Dulcian |
16' |
| Fagott |
16' |
|
Trompete |
8' |
| Trompette |
8' |
|
Krummhorn |
8' |
|
| |
Oberwerk
manual - IV |
|
Unterwerk
(Swell) - III |
| Suavial |
8' |
|
Lieblich Gedackt |
16' |
| Copula major |
8' |
|
Principal |
8' |
| Quintadena |
8' |
|
Bordun |
8' |
| Octava |
4' |
|
Salicional |
8' |
| Copula minor |
4' |
|
Unda maris |
8' |
| Violetta |
4' |
|
Octava |
4' |
| Hörnli |
II |
|
Nachthorn |
4' |
| Fletl |
2' |
|
Flagiolet |
2' |
| Oberquinte |
1 1/3' |
|
Mixtur |
V |
| Mixtur |
VI |
|
Basson |
16' |
| Trompete |
8' |
|
Trompette |
8' |
| Vox humana |
8' |
|
Oboe |
8' |
| |
|
|
Clairon |
4' |
|
| |
Pedalwerk |
|
|
| Bordun |
32' |
|
|
|
| Principalbaß |
16' |
|
|
|
| Subaß |
16' |
|
|
|
| Octavbaß |
8' |
|
|
|
| Flötbaß |
8' |
|
|
|
| Choralbaß |
4' |
|
|
|
| Rauschpfeife |
V |
|
|
|
| Kontraposaune |
32' |
|
|
|
| Posaunenbaß |
16' |
|
|
|
| Trompetenbaß |
8' |
|
|
|
| Trompette |
8' |
|
|
|
| Schalmey |
4' |
|
|
|
|
| |
| Couplers
and Accessories |
|
|
| Accouplements / Couplers: |
|
|
|
| OW/HW, UW/HW, RP/HW |
|
|
|
| OW/MAN I, UW/MAN I |
|
|
|
| HW/PD, OW/PD, UW/PD, RP/PD |
|
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| |
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|
| RP Tacet - Unison off Manual I |
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| |
|
|
|
| Tremulant HW/OW |
|
|
|
| Tremulant RP |
|
|
|
| Tremulant UW |
|
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| |
|
|
|
| Stabiler Wind (Winkers) |
|
|
|
Echo (opens Unterwerk rear louvers) |
|
|
|
| Nachtigall |
|
|
|
| Zimbelstern |
|
|
|
COMPOSITION DES MIXTURES
| Hauptwerk |
Mixtur IV or V* 1 1/3' |
|
C |
F# |
c |
c’ |
f#’ |
c’’ |
d’’’ |
| |
1 1/3 |
2 |
2 2/3 |
4 |
4 |
8' |
8' |
| |
1 |
1 1/3 |
2 |
2 2/3 |
2 2/3 |
4 |
4 |
| |
4/5 |
1 |
1 3/5 |
2 |
2 |
2 2/3 |
3 1/5 |
| |
2/3 |
4/5 |
1 1/3 |
1 3/5 |
1 3/5 |
2 |
2 2/3 |
| |
1/2 |
2/3 |
1 |
1 1/3 |
1 1/3 |
1 3/5 |
2 |
|
|
|
|
|
5 1/3 |
5 1/3 |
5 1/3 |
|
(Le rang du 5 1/3' s’ouvre lorsque Mixtur
et Praestant 16’ sont tirés.) |
|
|
|
|
|
|
|
|
| Rückpositiv |
Mixtur IV 1' |
| |
C |
G# |
e |
e’ |
d’’ |
c’’’ |
| |
1 |
1 1/3 |
2 |
2 2/3 |
4 |
8 |
| |
2/3 |
1 |
1 1/3 |
2 |
2 2/3 |
4 |
| |
1/2 |
2/3 |
1 |
1 1/3 |
3 |
2 2/3 |
| |
1/3 |
1/2 |
2/3 |
1 |
1 1/3 |
2 |
| |
|
|
|
|
|
|
| Unterwerk
|
Mixtur V 2' |
| |
C |
G# |
f# |
c’ |
d’’ |
d’’’ |
| |
2 |
2 |
2 2/3 |
4 |
8' |
8 |
| |
1 |
1 1/3 |
2 |
2 2/3 |
4 |
4 |
| |
4/5 |
1 |
1 1/3 |
2 |
2 2/3 |
3 1/5 |
| |
2/3 |
4/5 |
1 |
1 3/5 |
2 |
2 2/3 |
| |
1/2 |
2/3 |
4/5 |
1 |
1 3/5 |
2 |
| |
|
|
|
|
|
|
| Oberwerk
|
Mixtur IV 2' |
| |
C |
c |
c’ |
c’’ |
c’’’ |
|
| |
2 |
2 |
2 2/3 |
4 |
8' |
|
| |
1 |
1 1/3 |
2 |
2 2/3 |
4 |
|
| |
2/3 |
1 |
1 1/3 |
2 |
2 2/3 |
|
| |
1/2 |
2/3 |
1 |
1 3/5 |
2 |
|
| |
|
|
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|
|
|
| Pedal
|
Rauschpfeife
V 2 2/3’ |
| |
C |
pas de reprises |
|
|
|
|
| |
2 2/3' |
|
|
|
|
|
| |
2' |
|
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|
| |
1 3/5' |
|
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|
| |
1 1/3' |
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| |
1 ' |
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| Hauptwerk |
Cornett V f
– d’’’ 8’ - 4’ - 2 2/3’
- 2’ - 1 3/5’ |
| |
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| Oberwerk |
Hörnli II 2 2/3’ -
1 3/5’ |
| |
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